Monday, June 19, 2023

SCENES FROM BLACK FAMILY REUNION FESTIVAL @HARRIS STOWE UNIVERSITY LOT JUNE 18



 There's YOURS TRULY with co-host Mocha Latte at The Festival 

Photos and Videos by Maatology



Latte co-hosting on stage


A reveler decked out in festive colors and umbrella!




The closing act was Dirty Muggs featuring singer Flirt



BELOW ARE MORE PICS OF THE CROWD FROM THE FESTIVAL








PICTURED FROM LEFT: Cornell Boone, Jamila Boone (his wife), Boone's son, Mocha Latte, Harris Stowe University event assistant Bennie Gilliam-Williams, Harris Stowe University assistant, Dr. Latonia Collins Smith, DJ Reminisce, Rhashad Whittier and attendee.


To see the video salutations with The Harris Stowe President  Dr. Latonia Collins Smith and co-creator Cornell Boone, go to 

https://youtu.be/Kl2Vh0jZxsw


NOTE: This was the inaugural festival of its kind. More than 3,000 was expected to attend throughout the festival as the attendees enjoyed food from various food trucks, children in jump houses and music by Dirty Muggs (the closing act) with singer Flirt, Chicago's DJ Toure Afrobeat's and Reggae Tribute, DJ Reminisce to 50 Years of Hip Hop among others. The event was partnered by Black Family Reunion LLC and Harris Stowe University.



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STRAY DOG THEATRE's VAMPIRE LESBIANS OF SODOM PLAYING UNTIL JUNE 24


Photos by Maatology (FIRST PIC), STRAY DOG THEATRE (CAST PHOTOS) and Playbill (Pic of Charles Busch)


YOURS TRULY holding the flier to "Vampire Lesbians of Sodom."



A
s we  celebrate Pride Month, Stray Dog Theatre is currently staging its production, Charles Busch camp classic, "Vampire Lesbians of Sodom," just in time of  LGBTQ awareness. 

Directed by Stray Dog Theatre's Artistic Director Gary F Bell, "Vampire," which is currently staged at Tower Grove Abbey, 2336 Tennessee Ave. until June 24, tells the tale of two immortal lesbian  vampires, Succubus (played by Sarajane Clark) and The Girl (played by Xander Huber) who have an antagonistic relationship from their days meeting at Sodom during the Biblical days, the Golden era of Hollywood in the 1920s and 30s and during the aerobic craze  in the 1985 in Las Vegas.




Told in three vignettes, each scene has its own story of how the two vampires survived throughout their periods. The first, during Sodom, the story told is how The Girl, a virgin sacrifice, becomes a vampire from The Succubus' villainous bite.  

The second scene is how Succubus, who is now a diva film screen actress, La Condesa, and The Girl, who is now La Condesa's film rival, Madeleine Astarte', encounters a "bearded" Hollywood couple, King Carlisle (played by Victor Mendez) and Renee Vain (played by Greta Johnson) and is met by a gossip columnist, Oatsie Carwe (played by Rachel Bailey) who turns out to be a vampire themselves. 

The last scene is how The Succubus, who is now a down on her luck chambermaid, Scrofula,  who cleans a rehearsal studio in Las Vegas where Madeleine, who is now a big star, is rehearsing her successful stage show make amends and are working together in the stage show.




"Vampire" is very nonsensical, but in a good way. It is a lot of fun as the production doesn't take itself seriously as it parodies the sexuality of vampires, the camp of Old Hollywood and the commercialism of the 1980s.  Although some of the jokes said by some of the cast didn't all land (e.g., the joke about Mahalia Jackson got a late laugh response) but, a highlight, is when Mendez, who is in his King Carlisle role, decried, " Drag is a perfect tradition!" The audience erupted in cheers and clapped, hence the current state of politics with  LGBTQ culture. 

Of the three vignettes, the Hollywood scene is the strongest of the three as it gives more dimension to each of the characters and could be lengthened into an actual play. 



Additionally, if you are a fan of films such as "History of The World Part 1," "What Ever Happened to Baby Jane," and any aerobicized video star of the 1980s (or even the episode of The Golden Girls when the main characters had gone to a gym in their jazzercize outfits), you will definitely will be a fan of this production. 

Also, kudos to Bell who cast some of the roles "non-binary" having male actors play the female roles and vice versa. The standouts were its two main leads Clark and Huber who were able to perform different roles throughout with its vintage costumes and gowns  (designed by Colleeen Michelson) and quick costume changes and still maintain their roles. 




Playwright, Charles Busch

It would be interesting if the original writer of "Vampires" playwright Charles Busch could create a fourth scene like an updated version of "Vampires," showing where and how The Succubus and The Girl would be in our current age of the electronic/social media/reality show era. 

Hmm, we can only be so lucky if that occurs!





VAMPIRE LESBIANS OF SODOM BY CHARLES BUSCH
STRAY DOG THEATRE 
PRESENTED AT TOWER GROVE ABBEY
2336 Tennessee Avenue
Runs until June 24



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Thursday, June 8, 2023

ZEUS REBEL WATERS BIRTHDAY PARTY CONCERT CELEBRATION@ THE DARK ROOM INSIDE GRANDEL THEATRE JUNE 3


Photos by Maatology


There's Yours Truly with music artist Zeus Rebel Waters fresh from performing on his energetic birthday show.



Dark Room promoter Alonzo Townsend, of Townsend and Three Agency, greets the eagerly awaiting guests of  STL based music artist, Zeus Rebel Waters, to the venue.


The birthday recipient, Waters (wearing shades) in the cut during the opening moments of the show.


STL organizer Black Rose, of Black Rose STL, on the mic talking  about the importance of mental health during June which is Mental Health Awareness Month. 




BELOW ARE PICS FROM THE MUSIC GROUP,  
WEIRDO GANG 





The crowd during the event.


BELOW IS ANOTHER  PIC FROM WEIRDO GANG




Another crowd scene


Hot 104.1's DJ Raymond brings up the b-day man of the hour to the stage before playing Sam Cooke's classic, "A Change is Gonna Come" on the digital 1s and 2s.

Waters thanking the crowd for coming to his birthday event and told them that he appreciates their support over the years.


Waters doing what he does best accompanied by Josh B on the keys.

A fan giving Waters nothing but smartphone vid during his set! He also gave the crowd some nostagic Rucka Puff performing his St Louis classic, "Turkey Ham."



BELOW ARE TWO VIDS DURING WATERS' SET








Waters brought on popular wordplay STL artist Yerrty G (right) and his homeboy, Rep on stage giving a snippet of his skills to the crowd.  



Ghaniana Afropop artist Law Music was brought up to the stage to give the crowd a few of his bops. 




A long shot of Law Music on stage.




Waters brought on the robe moment on his set performing his solid joints including "Drugs," "Fat Boy" and "That's My Baby."


Waters doing this smooth man moments for the ladies on stage using classic soul songs in his mix including, Rick James' "Mary Jane," The Delfonics, "La La Means I Love You," and Teddy Pendergrass' "Come Go with Me."



Waters getting into his iconic shirtless vibe.



Waters in his groove.



 Waters also brought up STL poet Shy The Poet to perform her poem, "Do You Love Me."





A show wouldnt be a show without Waters moving around on the floor antics! 




Last to perform was artist YP.


Overall, this entertaining show was definitely a  moment for Zeus Rebel Waters' fans. His eclectic music style mixing rock, hip hop and rap and his enegetic, free flowing  performance style kept the audience's attention as much as he humanly could during his two hour set. His guests of performers also did their thing during Waters' intermissions away from the stage, but it was  definitely Waters' memorable nite!


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Thursday, May 11, 2023

THE BLACK REP'S EUBIE! DAZZLES WITH JAZZY FLAIR@EDISON THEATRE OPENING NIGHT MAY 5

PHOTOS BY MAATOLOGY PRODUCTIONS (FIRST PIC) AND PHILIP HAMER

Yours Truly in the seats prepared to see EUBIE!


The St. Louis Black Repertory  Company is closing out its 46th Season with an adaptation the Tony Award-nominated musical, EUBIE! which showcases the historic music of the late jazz/swing composer, Eubie Blake.

The musical, which was orginally conceived by theatre director Julianne Boyd in 1978, is currently being staged at The Edison Theatre on the campus of Washington University-St Louis until May 21. 



FROM LEFT: Coda Boyce, Robert Crenshaw and Venezia Manuel in the opening scene from Eubie!

Directed by Producing Director Ron Himes and Musical Director Joe Dreyer, the two-hour musical, which is mainly comprised of songs from Blake's 1921 color-barrier breaking show, Shuffle Alongbegan with an opening scene where some of the cast members simulated elegantly  dressed mannequins coming to life as through there was a time machine jump to the 1920s (The same sequence also ended the play.).


Cast in the opening number, "Shuffle Along." 

The standout of EUBIE! was the elaborate costumes worn by the ensemble cast (designed by Marc W. Vital II) that highlighted the time period of radiant flapper dresses, dapper evening gowns and top-hat tuxes. Another was the dazzling and eye-striking tap dance numbers and the outstanding choreography (orchestrated by Vivian Watt and Heather Beal) that helped to tell the story of black people during the Harlem Renaissance. A third was the eye-catching stage set, (designed by Tim Jones) that was also a key factor to the play's aesthetic with orchestra risers and a artistic backdrop which gave the stage a feel of a sophisticated yet subdued supper club.





Crenshaw and Evann De-bose performing the song, "I'm Just Wild About Harry."

As  far as the individual performances, two members of the cast were highlights. One was Robert Crenshaw who wowed each time he was on stage especially with his mesmerzing leg jumps and tap dancing skills (which he also choreographed) and Tamara Pilar who was fantastic in her sultry voice and naughty bits during her solo number, "Daddy" in Act One. 


FROM LEFT: J'Kobe  Wallace, Manuel, Deante' Bryant  and Coda Boyce in the number, "Baltimore Buzz."

Tamara Pilar performing the sultry number, "Daddy."


Pilar and Carvas Delano Pickens in the risque number, "My Handyman Ain't Handy Anymore."


Evann De-Bose in the bluesy number, "Gee, I Wish I Had 
Someone to Rock Me in the Cradle of Love."


As far as the actual story, there was none in particular, but the songs helped the throughline of the production. The songs defined the "high society" era of black language, double consciousness and entendre. There was, however, somewhat of a story line in Act Two when the cast performed a comical vignette during the song "If You Never Been Vamped by a Brown Skin, You've Never Been Vamped At All," (from Blake's musical  Shuffle Along) about a wife (played by Coda Boyce) seeking a divorce from her husband (played by Carvas Pickens) because of his affair with a vamp (played by Venezia Manuel) and their going to a court of law  with a judge (played by J'Kobe Wallace), baliff (played by Serdalyer Darden) and jury members (played by Crenshaw, Samantha Madison, DeAnte Bryant and Tamara Pilar).

FROM LEFT: Samantha Madison, Boyce and Manuel in the flapper number, "I'm Just Simply Full of Jazz."

Crenshaw and Wallace in a showstopper moment during, "I'm Just Simply Full of Jazz."



Cast in the plantation number, "High Steppin Days/Dixie Moon." that opened ACT TWO of EUBIE!



Other moments from Eubie! included songs that depicted excellently the everyday life of black people from plantation life, sugar shacks, and The Cotton Club After Five spots especially in Act Two with songs like, "High Steppin Days," "Roll Jordan," and the closing number, "Goodnight Angeline." 


Wallace performing, "Dixie Moon."


Pickens in a solo number during, "Roll Jordan."


 Serdalyer Darden and Manuel in the medley, "If You Never Been Vamped by a Browkskin, You've Never Been Vamped At All."



The cast in the Brownskin Medley,"Wife and Husband/Judge/Baliff/Jury."


Cast during the Finale.

Overall, EUBIE! was a head-bopping, foot-stomping, feel-good musical, a great piece of black nostalgia and definitely deserving of a ticket purchase while it is still on stage!


Cast and crew of Eubie!

EUBIE!
@The Edison Theatre
On the Campus if Washington University-St. Louis
Until May 21, 2023
For tickets go to www.theblackrep.org


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